FR-TUL

Jaromir Typlt’s poetical work (Hlavolomy/ Les crase-têtes et Sběř/ La racaille) has been elaborated together with the gravure by Jan Měřičká. Thus the meaning of the text is only to understand in consideration with its aim : the print. It reaches the stage of an erasable trace. By giving statement a fragmental configuration, this work gives a new definition of the stating. The statement wich is already present when the gravure is print, is as well adress to the concret other as to the inner history of the speaker. (Article in french)

Sborník mezinarodního kolokiu Dialogue des cultures: interprétation, traduction, Ústav translatologie UK v Praze, Praha 2006, ISBN 80-7308-147-4, s. 120-126.

https://www.ff.cuni.cz/FF-5193-version1-poz_10_26.pdf

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